Friday, October 22, 2010

Stanley Kubrick's Weird Comedy Film Dr Strangelove

By Randi Rosales

Stanley Kubrick's Dr Strangelove - How I Learned to Stop Worrying and Love the Bomb stands as one of the all time great films about war because it is so much different from any other film on the subject. It has much more in common with the work of the Marx Brothers than it does with Saving Private Ryan or The Dirty Dozen. The black humor of the film is exactly why it was considered controversial upon release, and how it manages to be so sincere and honest on the subject of nuclear war.

The film is very funny because when you think about it, the very notion of war is absurd. Not to discredit the courage of those who have gone to defend their countries, the film focuses on the business of war, the administrative end, where politicians will send men to die for the sake of their own egos. In fact the notion of the bomb as phallic symbol is made literal with the iconic image of the film: Major Kong riding a nuclear bomb down to Earth while whirling a cowboy hat over his head.

The film is primarily a comedy, and it's a real comedy. The jokes aren't just meant to "make you think", they're really there to make you laugh, so while the movie definitely makes its point, it's certainly not the sort of humor that's "Not funny, but has something to say". The humor is, in fact, incredibly funny.

Years later, when Kubrick made Full Metal Jacket, he seemed to fully embrace the humorous nature of war to the point that there were no overt jokes in that film, but rather, he simply relies on the weirdness of war to provide the humor. While not as direct as Dr. Strangelove, Full Metal Jacket is equally funny in spite of the lack of any real comedic elements.

Peter Sellers in multiple roles is perhaps the heart of the film. In recent years, the idea of one actor playing several characters has become trite, and it's usually the sign of a bad comedy with a weak script and only enough of a budget to hire one skilled comic in hopes of salvaging bad material. Sellers, on the other hand, was the master of creating several comic characters and making them all feel like different people. There's no in-joke to Sellers playing so many characters, it's just that he was better suited than anybody to play all of them.

The centerpiece of these would have to be Doctor Strangelove himself. Strangelove is portrayed as a former Nazi, whose limp right hand will sometimes snap into a Nazi salute. It is through Strangelove that the link between nuclear armament and sexual dysfunction is made most clear and direct. When the bombs start to fall, his sexual thrill is made nearly tangible.

George C. Scott's performance as General Buck Turgidson is another highlight. It's odd to see such a wild performance from Scott, who is typically noted as a gruff master of understatement. Certainly, his trademark is to do with a grizzly whisper what most would do with a shout. Kubrick actually had to trick Scott into going so wild for this role by requesting over the top "practice" takes, and then using them in the actual movie. Slim Pickens as Major Kong was similarly fooled into giving a straight performance by being told that the film was a standard war film and not a comedy.

If you've not seen it yet, Dr. Strangelove is one of the all time great films on the subject of war, and definitely one of those to see some time in your life. It is the only statement that anyone needs to make on the silliness of war. - 40732

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